‘Mark the Play’: Electronic Editions of Shakespeare and Video Content

Brett Hirsch; Stewart Arneil; Greg Newton

doi:10.22230/src.2017v8n2a279

‘Mark the Play’: Electronic Editions of Shakespeare and Video Content

Authors

Brett Hirsch University of Victoria
Stewart Arneil University of Victoria
Greg Newton University of Victoria

DOI:

https://doi.org/10.22230/src.2017v8n2a279

Keywords:

Shakespeare, digital video

Abstract

From world-wide archival film footage, to recordings of amateur and professional productions, and, of course, user-generated content uploaded to YouTube, the last decade has seen an explosion in the production and dissemination of Shakespeare in digital video form. The challenge facing researchers is no longer to acquire and amass this video data, but rather to develop the methods and tools to accurately and dynamically navigate, search, and interact with the data.

Author Biography

Stewart Arneil, University of Victoria

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Published

2017-09-14

Issue

Vol. 8 No. 2 (2017)

Section

Reprint (Original published 2009)

License

SRC embraces online publishing and open access to back issues under the Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 Licence. This license allows users to download an article and share it with others as long as authorship and original publication is acknowledged and a link is made (in electronic media) to the original article. The article can be quoted but not changed and presented differently.